Bill Evans Blue in Green Transcription: A Rare Glimpse into the Making of a Jazz Icon

The making of Kind of Blue, one of the most iconic jazz albums of all time, is often shrouded in mystery. However, a rare and insightful interview with Bill Evans, the pianist who played a crucial role in shaping the album's sound, offers a unique glimpse into the recording process. Conducted by journalist Eddie Karp for WKCR-FM in New York City on July 4, 1979, as part of the 126-hour Miles Davis Festival, this interview provides valuable insights into Evans' contributions to Kind of Blue.

According to Evans himself, the album was recorded over two sessions, seven weeks apart. This contradicts previous accounts that suggested it was recorded in one afternoon. Despite the inaccuracies, Evans remains a reliable source, offering firsthand details about the compositions and recording process.

The interview begins with Evans discussing his early days with Miles Davis' band, which he joined in April 1958, replacing pianist Red Garland. He recalls how Davis had asked him to 'change the way the band sounded again' by playing softer tunes, a request that ultimately led to the creation of Kind of Blue.

Evans also shares his thoughts on working with Davis, describing their collaborative process as 'like crystal notes or sparkling water cascading down from some clear waterfall.' He praises Davis' approach, stating that he loved the quiet fire that Evans brought to the piano.

The interview also touches on the composition of specific tracks, including the iconic 'Blue in Green.' Evans reveals that the song was written by Miles Davis and himself, with parts spontaneously created during the recording process. He shares his recollections of how they worked together to craft the track, offering a unique perspective on the making of this jazz masterpiece.

In conclusion, the Bill Evans interview offers a fascinating glimpse into the creative process behind Kind of Blue. With its rare insights and firsthand accounts from one of the album's key players, this conversation provides a valuable addition to any jazz enthusiast's library.

Bill evans blue in green transcription